THE SLATE · OCTOBER 2026
A film campaign for Comp AI: the work its agents do while everyone sleeps, shown as film.
SCROLLComp AI's campaign runs on two fifteen second spots, playing here with sound, each with the boards that shaped it.
Comp AI's product story told as a clean software launch film: a deal waits on a security review, the review arrives as a wall of documents, and Comp AI's agents work through the night until every line is verified and the deal signs.
Comp AI's always-on promise shot as a wildlife documentary: at two in the morning one laptop is left open in a sleeping office, and the company's unseen agent finds it, reads it, and seals it before anyone wakes.
Comp AI's poster set: four stills, each its own line, set in the campaign's type. They run as paid social, out of home and sales decks.
Comp AI's own public numbers, the facts the campaign stands on. Each film argues one of them.
Comp AI's slate comes from the same studio as these: each film plays here, and each card opens its full case study.
IN · Quinn Halleck teamed up with Cuebric and Disguise to create two case studies in just two days.
OUT · Layered 2.7D environments running in Disguise instead of fully built 3D worlds: real-time parallax and camera interaction with minimal setup.
THE RESULT · Two case studies in two days.
IN · One idea from the brand and its agency WORTHI, retire the word payday, and La La Anthony's own real pictures.
OUT · A culture-first campaign with La La playing one role, herself: her past plays as archival because it happened, her present as documentary because it still does; one production partner serving agency and brand.
THE RESULT · The campaign carried by La La Anthony's audience of 15.8 million Instagram followers, a #1 New York Times bestselling author with 25 years in culture.
IN · Australia's largest online furniture retailer imagined its first cinematic brand campaign as magical realism: a woman steps through a door in her living room wall and the world begins to answer her.
OUT · Every room, move and transition mapped before cameras rolled; the actress's real performance stayed untouched while the Temple & Webster world grew around her, furnished entirely from the brand's catalog of over 200,000 products.
THE RESULT · The brand's first cinematic brand campaign launched nationally in July 2026 across broadcast, CTV and digital, in 30 and 15 second cuts. "Without you guys, this ad is not even going to air. You've smashed it!" · Temple & Webster
Comp AI can take this work three ways; each one is scoped with you, case by case.
This slate carried to finished film: the two spots, cutdowns for every placement, and the key art set, delivered on one link that never changes.
Comp AI's own team works inside the Ritual Engine with us, hands on: the campaign above plus the machine that made it, in your building.
A standing film lane: new spots, new key art and refreshed proof every month, keeping the campaign as current as the product.
RitualAds is the engine behind campaigns and previsualizations for brands from Coca-Cola to Reebok.
THE MEETING TAKES THIRTY MINUTES.